Jeremiah Ariaz's Louisiana Trail Riders documents an important, yet often unseen, aspect of the state's cultural heritage: Black trail-riding clubs, which have their roots in Creole culture and have been an ongoing presence since the 18th century. Ariaz's photo project, which began in the wake of Trayvon Martin's death, creates a counternarrative to typical depictions of Black youth in American culture—his images are celebratory, intimate, and full of love, particularly between father and son horseback riders.